In this episode of the Rock School Proprietor Podcast, John Kozicki (Michigan Rock School and RockSchoolProprietor.com) and co-host Mandy York (Music Time of Milford) discuss the topic of offering free trial lessons or demo classes. They explore whether this strategy is beneficial for music studios and examine it from both the studio owner and the parent/student perspectives.
The episode kicks off with a discussion on the primary reasons studios might consider offering free trials: as a tactic to attract more students and fill up schedules. John and Mandy weigh the pros and cons of this approach and share personal experiences from their own studios.
From the parent’s viewpoint, they discuss the appeal of free trials as a way to lower the risk of committing to lessons, particularly for those unsure if their child will enjoy music lessons. However, John argues that a free trial lesson may simply delay the risk instead of truly informing the parent about the child’s interest and commitment.
The hosts also offer alternative strategies to free trials, such as offering studio tours, discounted rates for longer commitments, and integrating new students into established classes to give them a sense of the studio’s culture and community.
Finally, John and Mandy emphasize the importance of evaluating whether a free trial strategy aligns with a studio’s goals and suggest ways to make it work effectively for both the studio and the prospective students.
Join our private Facebook group, “Performance-Based Music Programs and Rock Schools,” a community for like-minded professionals to connect and share insights.
Episode Transcript:
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On this episode of a Rock School Proprietor Podcast, we’re talking about the
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free trial lesson or demo class.
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Should you offer it? Should you not offer it? We’re going to break it down.
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We’re going to talk about the reasons why a studio would want to employ that tactic or why not.
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But also, we’re looking at it from the parent and student’s perspective.
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What are the reasons that an offer like that would be attractive to them?
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Oftentimes I’ll hear, well, I’m not sure if my kid’s going to like it.
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When I first started, my demos were free, but I stopped that a long time ago.
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The kid is going to be like, oh yeah, that was fun. I loved it.
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It wasn’t a real music lesson.
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Does it really inform the parent anymore or does it just delay that risk?
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Welcome to rock school proprietor podcast i’m john kazicki and joining me as
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always mandy york hey john how are.
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You i’m really great thanks so
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We’re gonna talk about the free trial or free demo class today or maybe it’s
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not free i don’t know well i guess we can get into that aspect of the conversation.
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But I guess you offer demo classes, yes?
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I do, yep.
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Frequently?
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Frequently. It’s a big part of my recruiting strategy, for sure.
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I occasionally offer demo classes, but I almost never offer the classic free
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trial private lesson. and definitely we’ll get into that.
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But in writing out my notes for this, I started thinking about this as a tactic
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and kind of the two sides of it.
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So you’ve got the goal for the student and parent, and then you’ve got the goal for the studio.
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So I would say, and chime in if you have other thoughts, but I would say the
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goal for the studio, there are basically, in my mind, two reasons to do this.
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Two reasons to do a free demo class or a free trial lesson, or even if it’s maybe discounted.
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Number one, it’s a tactic to attract more students.
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And number two, it’s a tactic to fill up schedules other thoughts anything else yeah.
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No i i agree with you yeah okay that’s the goal
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All right so now from the parent or student side i think there’s also two reasons
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why they would want this number one is,
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And this is, I think there are certain people who are looking for a lower price.
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Right? And so these are
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The tire kickers. Okay, so that would be number one, someone who wants something
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for free or at a discount.
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Number two, and this I think is the more important one, the one we would want
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to talk about, is it’s going to lower the risk for primarily the parent because oftentimes I’ll hear,
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well, I’m not sure if my kid’s going to like it, right? Right.
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So any other reasons you can think of that the student or the parent would want
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a free trial of a demo class or a private lesson?
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No, I would agree with you that. Yeah, there’s the people that like to get all
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the freebies in right around town and they pop in for drop ins.
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And yeah, that try it before you buy it. Yes. mentality.
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And like you said, they want to see if their kid likes it, which in my case
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always kind of makes me giggle a little bit.
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You know, when they’re calling about their one-year-old, I’m like,
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I’m pretty sure they’re going to love it.
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But like I’ve mentioned before, my classes are about the grownups too.
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They want to see how they feel in the space. I get it.
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Yeah. So I think I don’t want to spend too much time because,
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all right, let me say this. I, the reason I broke it down like this is I think
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it’s important, you know, I’m going to get all sort of like analytical about it, right?
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I think it’s important to kind of look at it from both sides and figure out,
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is this a valuable tactic for us as the studio owners to actually employ?
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But in order for us to really make an assessment on that, we also have to understand
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what our potential clients want and why they would want this, right?
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And if that’s the case,
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Breaking these two reasons down why the student or the parent will want it.
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The first one, the lower price.
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I don’t think any of us want those clients, really.
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Not usually. Yeah.
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No, I would say that, again, from the studio side, sometimes there’s a need to fill up a schedule.
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And in those situations you might
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need to fill up a schedule like as quick
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as possible you might have to kind of be a little
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bit more loose with who you let into
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the studio right so yeah maybe you’ve got a brand new instructor that you just
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hired and there’s an urgency to fill up that instructor’s schedule well you
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might want to loosen the reins on on like your qualifications for students a
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little bit and be like, okay, well,
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yeah, this person’s probably a tire kicker, but it’ll buy me some time to then
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find someone else to fill that space when they leave in a month or whatever, right? Oh, yeah.
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But I do want to talk about this other reason, which is lowering the risk.
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And you said in your studio, with music together, it.
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Makes you laugh yes
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So yeah i mean can you expand on that because i think you’re right.
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Right well it makes me laugh because
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Baby’s not gonna want to dance and sing yes.
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And play with you know play drums yeah yeah exactly but i do you know i recognize
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that it’s the parents that want to feel comfortable doing this and see what
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it’s like that’s that’s what it’s about really
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And well and also there’s i think there’s an element of when you read about
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something on your website for instance even if there’s pictures even if you
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see videos it’s hard to picture yourself in that situation and how you will
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feel in that situation until you see it for yourself and i think that’s valuable yeah.
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It’s totally fair yeah i get it
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And it’s valuable for my studio. It allows those families, kids and caregivers,
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to step inside your culture, right?
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Yes. They get the real picture, like you mentioned.
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So it helps you and them determine if it’s a good fit, right?
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It’s more than just a phone conversation. It’s more than just looking at the
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pictures on the website. Right.
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So when they come in, they’re going to see the community that’s there already.
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Yeah. Like the way I have things set up is that I have my demos are regularly
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scheduled classes. So established classes.
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I mean, that’s definitely by design.
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Once upon a time, you know, early I was doing, you know, exclusive demo classes.
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Yeah.
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Right. Just a group of people that had never done classes before.
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So you’re saying scheduled at a time that you normally wouldn’t have a class.
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You’re saying, here’s the time. We’re doing a demo.
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Come do the demo. Anyone who wants.
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And then you have a room of, you know, newbies.
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Yes. I don’t do that anymore because I have a full schedule now.
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And so I’ll just open spaces where I’m able and invite visitors.
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Yeah. It’s easy. We advertise it. They can register themselves on the website and all that.
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But they’re walking into an established class.
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That is really valuable. Because like I said, they’re stepping into your culture.
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They’re seeing the community and the relationships.
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Oh, this is always my favorite too. When they’ll hear encouragement from other
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parents in the room, which is always so great. Those are like magical moments when…
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If this family is a little apprehensive and their child isn’t,
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quote unquote, participating the way they think they should,
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and I hear the mom next to them say, like, oh,
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my kid was the same way. Don’t worry about it. They’re totally fine.
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That’s so great when they’re in an environment where they feel safe, accepted.
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That’s priceless. You’re right. That is so valuable to you as the studio owner. Yes.
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Because it’s like, it’s a real
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life testimonial in real time from someone who’s actually in the class.
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I have similar things happen in my studio when someone will come in who’s brand
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new and we may have, you know, we may have four parents sitting in the waiting
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area because their kids are in a band rehearsal. Yeah.
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And they’ll hear the parents talking about the program. They’ll ask parents questions.
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The parents will say good things about the program. You know,
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like, I don’t have to do any work.
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Right. And that’s going to carry so much more weight than coming from me,
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the owner of the business, or you, the owner of the studio.
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Exactly. Because it’s unsolicited.
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Yes. Yeah. I love when that happens. That’s great.
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So it’s, it’s great to, to bring them in to these spaces and,
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you know, take the opportunity to do that.
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I like, oh, and when they hear, you know, all the other caregivers like singing
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the songs, you know, it’s, it’s like slightly uncomfortable at first.
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They’re like, oh, everyone is singing this song. I don’t know this song.
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But they realize, like, you know, I explained the program to them and that,
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well, we’ve been singing these songs for four weeks now.
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And everyone has this app and they have this music at home. And they’re like, oh,
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Cool.
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You know, it’s this nothing compares to bringing them into the space like that.
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I do something very similar, obviously, with the rock band program.
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Now we do have like, we’ve got Kids Rock for our four to seven year olds and
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we can do demos in that situation. We do it very similar to what you do.
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We’ve got the established classes and we’ve got, if we’ve got a spot open in
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one of those classes and someone says, hey, I really want to check it out,
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then we’ll just invite them to come sit in on that class.
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So very similar to what you do with the older kids with our rock band program.
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I invite people in for a tour. And when I schedule those tours,
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I try and schedule it at a time when I’ve got a band in rehearsal of kids that
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are maybe similar age or similar skill level to the student or prospective student
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who’s coming in for the tour.
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So again, just like you had said, so that they can sort of see what it is and
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maybe picture themselves in that situation.
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Yeah.
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Yeah. Because it can be scary. It can be intimidating. It can be like,
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I don’t know. I don’t know what this is. Yeah.
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Yeah. I have just a couple classes that are without caregivers.
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You know, I do like kindergarten through second grade, djembe drumming.
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And in that case, I do the same thing. I invite the student in.
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If they’re not comfortable being dropped off, a caregiver will stay.
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But oftentimes the kids, you know, will let mom or dad go and they’ll stay in the group.
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And kind of the same thing that happens with the parents is that you get your
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class on board. Like, hey, Timmy’s joining us today.
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Let’s show him how we do this. Right? Yeah. And then give him opportunities.
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We do a lot of like soloing in class, you know, on the drums.
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And do you want to try it, Jimmy or Timmy, you know, whoever’s visiting?
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So, yeah, getting the kids on board with, like, welcoming someone new.
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So, like, I think we’re on the same page with this.
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The concept of allowing someone in to see a class or a group program is incredibly valuable.
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Now, I guess the – and I want to get into the concept of the free trial private lesson, too.
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But before we go there, I want to talk about, like, what is the cost?
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Now, when you do these demos, do you do them for free?
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Do you make people pay maybe not the full class price? Maybe you do have them
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pay the full class price.
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What is your strategy there and why do you employ that strategy?
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Yeah. When I first started, my demos were free, but I stopped that a long time ago.
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I’m like probably 75% of what the class costs.
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So it’s not a full price. It’s discounted.
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And even that went up. It used to be more like 25% of what the class cost was.
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And I mean, I’ve bumped it up.
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No problems. No one is not coming to a demo class because of the cost.
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But what it did do was drastically reduce the number of no-shows that I had.
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That was my motivation initially for doing that.
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I mean, even if it is a small amount, it’s the motivation to get them in the door. We paid for this.
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We’ve got to go. right kind of thing yeah and then
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like you said there are you know
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there are some families that are just looking for the free free trials free
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demos free opportunities around town that aren’t interested in sticking around
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yeah they’re just trying whatever free class yes which is great but that’s not
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what we’re looking for right when we invite people in so yeah
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So i think.
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And I think it’s kind of important to see like,
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And this would be my advice for any newer studio owner, is that you employed
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a free demo class when your studio was new.
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And you were, again, going back to the reasons for the studio owner,
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it’s a tactic to either attract more students or to fill up schedules.
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So you were in a situation when your studio was new where you needed both those
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things, right? You needed to attract more students. you needed to fill up your schedules.
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But over time, you got to a point where you’re like, you don’t necessarily need it as much anymore.
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So your incentive to offer it for free changed.
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And I think that’s like, it’s important to look at that and consider like, where am I in my studio?
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And is it worth my time and effort to just open the door for anyone to come in for free? Yeah.
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I would, if you are offering free demos,
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free classes, free lessons, I would challenge you to consider it right now,
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you know, and really think, are you going to lose business if you don’t charge
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$10, $15 for a visit, right?
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I would, whoever’s listening right now, make the change. I highly encourage that.
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So I think that’s the perfect segue into the concept of the free trial lesson.
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Yeah. Because the free trial private lesson, it’s out there all over the place, right?
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It’s like people ask me, like, oh, do you offer a free trial lesson? And I don’t.
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Just put that out front first.
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But it’s so prevalent that people almost expect it when it comes to private lessons.
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So, I think in large part why I don’t do it, and again, this goes back to the
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parent and the student expectations or the reasons why they would want that.
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Number one is that we talked about the tire kickers. They want that low price.
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Someone wants something for nothing, right? And you said it perfectly when you
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mentioned you get a different quality of student when there’s a little bit of
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money involved, when they have to pay for something.
00:17:04.854 –> 00:17:10.634
I agree with you wholeheartedly. But I do want to get into the second point
00:17:10.634 –> 00:17:15.554
that I mentioned, the second reason why students or parents would want a free trial lesson.
00:17:15.974 –> 00:17:20.314
It’s to lower the risk because they’re not sure if their kid will like it.
00:17:20.314 –> 00:17:26.654
And I understand that when you decide you want your kids to be in private lessons,
00:17:26.654 –> 00:17:33.894
it’s a bit more of an investment than coming to a music together class because
00:17:33.894 –> 00:17:36.294
it’s not only the weekly commitment,
00:17:36.514 –> 00:17:40.334
but it’s I’ve got to get an instrument, right?
00:17:40.334 –> 00:17:43.654
And then from the parent’s side, they’re also probably thinking,
00:17:43.974 –> 00:17:49.994
I have to then put on my schedule some way to keep my kid accountable so that
00:17:49.994 –> 00:17:52.674
they’re practicing every week.
00:17:52.794 –> 00:17:56.914
And we’ve gotten into that part. We’re going to talk about that part.
00:17:57.814 –> 00:18:06.314
But I want to kind of dig a little bit deeper into if a free trial private lesson
00:18:06.314 –> 00:18:14.114
actually lowers the risk for the parent or it just delays the risk for the parent
00:18:14.114 –> 00:18:16.914
is my thought. Here’s where I’m going with this.
00:18:18.549 –> 00:18:23.969
So, and you said this too, like what kid wouldn’t want to come to a music together
00:18:23.969 –> 00:18:26.749
class and sing and play and have fun?
00:18:27.709 –> 00:18:34.649
I am of the belief that unless your instructors are just not very engaging,
00:18:34.909 –> 00:18:39.249
and that’s a whole nother problem, if you offer a free trial lesson,
00:18:39.569 –> 00:18:43.009
the kid’s going to come into this brand new environment.
00:18:44.069 –> 00:18:49.589
It’s new. It’s interesting. They’re trying things that they’ve never seen before.
00:18:49.589 –> 00:18:51.869
They’re doing things that they’ve never seen before.
00:18:52.049 –> 00:18:57.529
They’re not really learning anything in that free trial lesson, right?
00:18:58.549 –> 00:19:02.169
Kid’s going to like it, right? The kid is going to be like, oh,
00:19:02.289 –> 00:19:04.029
yeah, that was fun. I loved it.
00:19:04.149 –> 00:19:08.189
It wasn’t a real music lesson, you know?
00:19:08.549 –> 00:19:13.349
So my point is, does it really inform the parent anymore?
00:19:14.189 –> 00:19:18.029
Or does it just delay that risk? What do you think?
00:19:18.189 –> 00:19:24.629
Right. It just delays it. Yeah. One thing that I tell my parents,
00:19:24.749 –> 00:19:26.629
I think this is related, right?
00:19:27.409 –> 00:19:32.809
When they come in and they see that their kids are not, well,
00:19:32.929 –> 00:19:37.809
my daughter was just looking at the picture on the wall the whole time. Maybe this isn’t for us.
00:19:38.309 –> 00:19:42.089
I’m like, it’s week one, right? Like you said, this is week one.
00:19:42.089 –> 00:19:45.349
Yeah. I I’ve started saying a lot.
00:19:45.749 –> 00:19:50.809
Trust the process. Yeah. Right. Educate your parents. You do a good job of that.
00:19:51.249 –> 00:19:56.889
I mean, you’re going to your your parents are going to learn more from what
00:19:56.889 –> 00:20:02.829
you tell them than the 30 minutes they sit, you know, getting acquainted with
00:20:02.829 –> 00:20:06.229
an instructor and, you know, holding an instrument for the first time.
00:20:06.589 –> 00:20:09.669
Yeah. You know, they need to know what what this looks like.
00:20:09.909 –> 00:20:14.829
Yes. week to week, you know, during a semester long. I mean, that’s what I do.
00:20:15.769 –> 00:20:18.949
These are the kind of things you’re going to see. These are the musical behaviors
00:20:18.949 –> 00:20:22.649
you’re going to see in your kids. Week one to three to eight.
00:20:23.636 –> 00:20:26.556
All different, right? But you’ve got to go through the process and you have
00:20:26.556 –> 00:20:30.636
to trust it. Right. One lesson isn’t going to give you that.
00:20:30.836 –> 00:20:36.276
Exactly. Okay. So let me put this scenario out. So you get a phone call.
00:20:36.856 –> 00:20:42.016
Hi, I’m thinking about getting my kid into guitar lessons. Oh yeah. Okay.
00:20:43.116 –> 00:20:44.376
Tell me about your kid.
00:20:44.776 –> 00:20:45.336
Well, he hasn’t
00:20:45.336 –> 00:20:48.596
Had any guitar lessons, but do you offer a free trial?
00:20:48.876 –> 00:20:52.636
Yeah, we can set up a free trial. What time? When do you want to do it?
00:20:52.696 –> 00:20:54.276
We’ve got these times for it.
00:20:54.596 –> 00:20:59.356
Oh, yeah, that time works. Okay, we’ll see you then. And they come in for the trial lesson.
00:20:59.896 –> 00:21:02.836
Okay, well, this is your guitar, and this is where you put your fingers.
00:21:03.136 –> 00:21:05.716
And like, this is, look at this. These are some things that you can do.
00:21:05.896 –> 00:21:07.156
The kid’s like, wow, that’s great.
00:21:07.476 –> 00:21:11.496
Then the parent asks the kid, did you like it? Yeah, it was awesome.
00:21:11.496 –> 00:21:13.836
I loved it. Do you want to do it again? Yeah.
00:21:14.756 –> 00:21:17.896
Like, they haven’t learned anything, right?
00:21:19.256 –> 00:21:24.036
They figured out they can come at a certain time.
00:21:24.096 –> 00:21:28.556
The kid kind of did the musical petting zoo thing with the instrument.
00:21:28.996 –> 00:21:36.256
So yeah, that’s my point. I don’t think the trial lesson really informs the parent.
00:21:36.736 –> 00:21:39.736
So I do have other tactics though.
00:21:39.936 –> 00:21:45.016
So the other tactics that I think will lower the risk for the parent.
00:21:45.156 –> 00:21:49.676
Because that’s what, like, if you really want to help the parent and you know
00:21:49.676 –> 00:21:51.136
that that’s their goal, they want
00:21:51.136 –> 00:21:54.736
to lower their risk, they’re not sure if their kid’s going to like it.
00:21:54.856 –> 00:22:01.556
Well, then it’s your, you have the power to help determine if the kid’s going to like it, right?
00:22:01.636 –> 00:22:10.076
So what I always suggest is if someone even asks me for a trial lesson, I tell them this.
00:22:10.076 –> 00:22:13.816
I’m like, well, you know, I don’t know if a trial lesson is really going to
00:22:13.816 –> 00:22:17.956
help you figure out what you want to find out.
00:22:18.116 –> 00:22:21.556
Like, if your kid’s really going to like it, why don’t you come in for a tour?
00:22:22.756 –> 00:22:27.576
And this is, I always do this with myself too. Like, I do the tours because,
00:22:27.836 –> 00:22:30.796
and this gets into that whole other side of things with like,
00:22:30.936 –> 00:22:33.376
if you are going to do a trial lesson
00:22:33.376 –> 00:22:38.656
and then you’re having your private instructors give that trial lesson,
00:22:39.236 –> 00:22:42.896
Well, are they going to give the student the lesson or are they going to give
00:22:42.896 –> 00:22:46.396
the parent the information that they need? And that’s a whole different thing.
00:22:46.616 –> 00:22:52.736
And then, oh, side note, I know there’s some studio owners who don’t pay their
00:22:52.736 –> 00:22:54.836
instructors for giving trial lessons.
00:22:55.696 –> 00:22:58.616
Stop doing that. Yeah. That’s not cool.
00:22:58.696 –> 00:22:59.036
Not cool.
00:23:00.554 –> 00:23:06.654
So, yeah, I give them a tour and I say, well, why don’t you come in if you’re thinking guitar?
00:23:06.914 –> 00:23:10.734
Then we’ll put the guitar in the kid’s hands. I can talk to the kid and figure
00:23:10.734 –> 00:23:13.054
out, like, is this the right instrument?
00:23:13.294 –> 00:23:16.314
Why do they like the guitar? Why are they drawn to it?
00:23:16.474 –> 00:23:19.994
Maybe there’s another instrument that might be better suited for them based
00:23:19.994 –> 00:23:23.354
on their age and their skill set or whatever. Sure.
00:23:23.514 –> 00:23:27.614
You know, so I take the time to try and figure out what’s going to be the good
00:23:27.614 –> 00:23:32.534
fit for this student and this family rather than just saying like,
00:23:32.614 –> 00:23:34.954
yeah, sure, come in for a trial lesson where you won’t learn anything.
00:23:35.294 –> 00:23:35.554
Yeah.
00:23:35.994 –> 00:23:39.754
You know? Yeah. Because it’s always going to lead to other questions, too.
00:23:40.014 –> 00:23:45.714
Like, I’ve never bought a guitar before. I’ve never bought a drum set before. What should I do?
00:23:46.054 –> 00:23:51.354
Like, what do I need to get so that I can also answer all those questions if
00:23:51.354 –> 00:23:54.714
that’s what the right path is for the student?
00:23:54.714 –> 00:24:02.254
Yeah so you know again my goal is to help the parent meet their goal which is
00:24:02.254 –> 00:24:08.054
to lower the risk not just keep a kid entertained for 30 minutes yeah totally.
00:24:08.054 –> 00:24:13.114
Yeah yeah i do think that tour and information that you give in the beginning
00:24:13.114 –> 00:24:16.334
is a really great practice well and a good thing going
00:24:16.334 –> 00:24:21.674
And all that i do for free you know that is like i’m not going to charge him
00:24:21.674 –> 00:24:26.574
for it But that, again, that’s like, that’s my time personally,
00:24:26.574 –> 00:24:27.874
because I give those tours.
00:24:28.154 –> 00:24:33.234
I mean, sure, I could train my, like, you know, I could train my staff to do those things as well.
00:24:33.354 –> 00:24:37.094
And of course, they would be paid for that time because they’re on the clock.
00:24:38.054 –> 00:24:40.594
But I just, I think it’s a better tactic.
00:24:42.334 –> 00:24:47.034
And we say this a lot. Oftentimes, the parents just don’t know what to ask.
00:24:47.254 –> 00:24:47.634
Yeah.
00:24:47.934 –> 00:24:51.994
So they ask what they think they’re supposed to ask. Like, well,
00:24:52.214 –> 00:24:55.834
I’ve seen free trial lessons at other places. Do you do that?
00:24:56.714 –> 00:24:59.194
You know, I don’t know. I just…
00:25:00.680 –> 00:25:02.700
I don’t think it’s a good tactic.
00:25:03.020 –> 00:25:10.200
No. Yeah. I could say like, not everyone is the same. There’s not a one size fits all.
00:25:10.760 –> 00:25:14.560
So perhaps there is a very anxious student, right?
00:25:14.860 –> 00:25:19.760
That wants to, even after the tour, you know, if you get, if you have talked
00:25:19.760 –> 00:25:27.740
to these parents and you get to know the student and, and there’s like a desire there to, to try this.
00:25:27.740 –> 00:25:30.800
Maybe maybe have them visit
00:25:30.800 –> 00:25:33.560
a lesson sure right sure i love
00:25:33.560 –> 00:25:39.260
because i don’t do private lessons but like i said earlier you know other kids
00:25:39.260 –> 00:25:46.700
love to bring other kids into the fold so like hey timmy come watch suzy’s lesson
00:25:46.700 –> 00:25:51.300
yeah see what she’s doing you know i mean there’s be creative i guess is what i’m saying yep
00:25:51.300 –> 00:25:55.240
I’ve heard of that tactic the bring a friend okay friend week or whatever.
00:25:55.240 –> 00:25:55.740
Yes.
00:25:55.940 –> 00:26:02.980
And so I have, like put this out there, I have given free lessons before, right?
00:26:03.140 –> 00:26:11.000
I guess a scenario might be, we’ve had private lessons for three years at this other place.
00:26:11.500 –> 00:26:16.640
We want to make sure it’s a good fit between my student and your instructor.
00:26:17.660 –> 00:26:21.140
After I’ve gone through all the questions and figured out, I think this is the
00:26:21.140 –> 00:26:22.280
right instructor for you.
00:26:22.840 –> 00:26:26.900
Well, can we try it out? sure, come do a lesson.
00:26:27.380 –> 00:26:31.460
I’m not going to charge you, or maybe I’ll charge you a smaller fee.
00:26:32.240 –> 00:26:38.420
I think those are exceptions though, but I’m certainly not advertising and putting
00:26:38.420 –> 00:26:39.920
it out there. First lesson free.
00:26:40.800 –> 00:26:42.920
I mean, maybe it works for some people.
00:26:44.000 –> 00:26:47.360
It’s not for me. I’ve used other,
00:26:50.850 –> 00:26:52.790
discounted rates, right? Like
00:26:52.790 –> 00:26:59.170
three months discounted at like 15% off or something like that, right?
00:26:59.290 –> 00:27:03.450
So that’s another tactic I’ve used to sort of fill up schedules.
00:27:03.750 –> 00:27:07.870
So I’m lowering that risk for the parents. It’s not as expensive,
00:27:07.870 –> 00:27:13.130
but like we talked about, there’s still some money in it.
00:27:13.250 –> 00:27:16.250
They still have to commit and pay for something.
00:27:16.470 –> 00:27:21.910
Yes, it’s discounted, but over the course of like months rather than like yeah
00:27:21.910 –> 00:27:23.150
sure come and get this thing for.
00:27:23.150 –> 00:27:28.230
Free yeah because by the time they’ve gone through three months they’re in a
00:27:28.230 –> 00:27:32.770
groove and it’s either working yes or it’s really not but more than likely
00:27:32.770 –> 00:27:40.990
Yeah it’s working exactly uh let’s see other points i mean i i think i covered
00:27:40.990 –> 00:27:46.030
all my points right so it’s about like is it right for your studio.
00:27:46.410 –> 00:27:49.730
And I think it can be at different times, right?
00:27:49.850 –> 00:27:54.170
So again, it’s a tactic to either attract more students or fill up your schedule
00:27:54.170 –> 00:28:00.690
and then think about what the advantage is for the parent, right?
00:28:00.770 –> 00:28:04.310
And like why they want to do that and how you can actually help them.
00:28:04.430 –> 00:28:09.450
Because I don’t know if we necessarily want to help someone who’s looking for the lowest price.
00:28:10.050 –> 00:28:13.050
Yeah. That’s not a good fit for our studio.
00:28:13.050 –> 00:28:19.590
Race to the bottom in that situation. But we can figure out ways to help people lower the risk.
00:28:20.891 –> 00:28:26.791
Yeah. I think, you know, we didn’t talk about the difference between,
00:28:27.051 –> 00:28:31.771
like I said, in the beginning, I would hold demo classes just for newbies.
00:28:32.031 –> 00:28:33.331
Have you done that with Kids Rock?
00:28:34.551 –> 00:28:35.771
Yes, I have.
00:28:35.771 –> 00:28:39.871
And that’s, you have to handle those differently, right? You have all new people
00:28:39.871 –> 00:28:44.171
that is very different than bringing someone in to an established group,
00:28:44.171 –> 00:28:49.431
which as we’ve made very clear is optimal and works really well.
00:28:49.591 –> 00:28:56.431
But if you are newer and you need to be holding pure demo classes with all new
00:28:56.431 –> 00:28:59.491
families, you’ve got, that’s a different approach you have to take then.
00:28:59.491 –> 00:29:05.771
And maybe in your case with older kids, caregivers are involved.
00:29:06.051 –> 00:29:07.131
Maybe they’re in the room.
00:29:07.411 –> 00:29:11.571
Maybe they’re somehow doing something fun to participate with you.
00:29:11.851 –> 00:29:14.971
Or you’re just educating them on the process. Here’s what we do,
00:29:15.031 –> 00:29:17.971
how we do it, week to week, month to month, whatever it is.
00:29:18.871 –> 00:29:22.671
Because that goes for me too. It doesn’t happen as often anymore.
00:29:22.971 –> 00:29:27.651
But when I get in front of a group, like a brand new group, I start singing
00:29:27.651 –> 00:29:32.571
my hello song. I’m like, where is everybody? No one’s singing with me.
00:29:32.571 –> 00:29:32.991
You’re the only one singing?
00:29:33.251 –> 00:29:39.531
Yes, which doesn’t happen because I’ve got, you know, at least half of my families are returning.
00:29:39.851 –> 00:29:44.731
Yeah. So there’s more education that goes into those classes. Yeah.
00:29:44.931 –> 00:29:45.591
Like, this is.
00:29:45.591 –> 00:29:51.511
What I need from you because, you know, you are your child’s teacher and you’ve
00:29:51.511 –> 00:29:55.231
got to show the kids how to make music and all the pieces, right?
00:29:55.451 –> 00:29:58.751
Yeah, yeah. I totally get where you’re coming from. It’s…
00:29:59.547 –> 00:30:05.387
You’re in a routine with your regular classes. So when you have one or two new
00:30:05.387 –> 00:30:08.347
people come in, it’s a cultural thing.
00:30:08.447 –> 00:30:11.127
They all of a sudden pick up on those cues and like, oh, we’re supposed to do
00:30:11.127 –> 00:30:13.947
this at this time because everyone else is doing this.
00:30:14.027 –> 00:30:20.107
But when it’s a group of 12 parents and caregivers and no one’s ever done it
00:30:20.107 –> 00:30:23.747
before, they can’t look to their left or right to know what to do.
00:30:23.927 –> 00:30:28.867
Everyone’s just like, okay, I guess, I don’t know. I don’t know what’s going on. Yes. Yeah. Yep.
00:30:29.127 –> 00:30:34.267
They’re not coming in and immersing themselves in your culture that you have established.
00:30:34.447 –> 00:30:38.207
So you have to paint the picture for them. And this is how we do things.
00:30:38.247 –> 00:30:40.247
And this is what you need to do. And this is why.
00:30:40.627 –> 00:30:40.987
Yeah.
00:30:41.467 –> 00:30:45.947
Yeah. So if that’s where you’re at, if you are, if you are actively trying to
00:30:45.947 –> 00:30:49.987
recruit and grow your studio, don’t just expect to, you know,
00:30:50.087 –> 00:30:54.847
have them come in the room, you know, teach your class as you would any other class.
00:30:54.847 –> 00:30:58.887
If these are new families and you are trying to grow your numbers,
00:30:58.887 –> 00:31:02.467
you need to up that educational piece. Yeah.
00:31:02.627 –> 00:31:07.567
Yeah. Yeah. I think my big takeaway is just like this tactic works.
00:31:07.767 –> 00:31:12.147
It does work. Oh, yeah. But just be smart about it so that it works for you,
00:31:12.147 –> 00:31:17.247
not just the prospective students. Yeah.
00:31:18.087 –> 00:31:22.267
All right. Well, I think we brought it home. So that’s going to wrap it up for
00:31:22.267 –> 00:31:26.747
this episode of Rock School of Proprietor podcast. We will see you next time.
00:31:26.927 –> 00:31:28.247
See you next time. Thanks, John.
00:31:30.647 –> 00:31:36.487
Contact us with show ideas or questions. Info at rockschoolproprietor.com is where you can do that.
00:31:36.667 –> 00:31:40.947
You can also find show notes and transcripts for this and all episodes over
00:31:40.947 –> 00:31:43.087
at the website rockschoolproprietor.com.
00:31:43.247 –> 00:31:48.747
I’m at rock.school.proprietor on Instagram and John Kazicki on LinkedIn. in.
00:31:48.947 –> 00:31:53.227
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00:31:53.227 –> 00:31:54.287
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00:31:54.447 –> 00:31:58.527
It’s called performance based music programs and rock schools.
00:31:58.627 –> 00:32:00.567
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00:32:00.847 –> 00:32:03.547
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00:32:03.547 –> 00:32:06.927
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